The 16 good Horror Movies on Netflix Right Now( April 2024) Assessing the quality of sacrifices available from Netflix in 2024, it rapidly becomes clear that their horror library is a real mixed bag. As racing services, and especially genre-specific ones similar as Shudder, continue to expand their horror movie collections, it’s harder and harder for Netflix to project any sense of comprehensiveness, and its library becomes more stationary and reliant upon Netflix Originals on a yearly base.
At colorful points in the last many years, for example, good Horror Films on Netflix could boast movies like The Shining, Scream, Jaws, The Silence of the Lambs or youthful Frankenstein, along with recent indie greats like The Witch or The Descent. All of those movies are now gone — generally replaced by low- budget, direct- to- VOD movies with distrustfully analogous one- word titles, like satanic, Desolate and Incarnate. There are quality movies to be found then, generally variety from comedies like The Babysitter, to more obscure titles, It Follows, Apostle or newer movies like His House and the Fear Street triplet. Do n’t hope to find numerous franchise bodies in the earth of Halloween or Friday the 13th, but do n’t sleep on The Haunting of Hill House, Cabinet of Curiosities or Fall of the House of Usher, yet. They ’re not technically movies, but they ’re insolvable to leave off thislist.However, it’s in limited series, If there’s one horror area where Netflix has beat.
1. The Wailing
Year :2016
Director :Na Hong- jin
Stars Cast :Kwak Do- won, Hwang Jung- min, Chun Woo- hee TheU.S. title of Na Hong- jin’s film,
The Wailing, suggests tone further than it does sound. There’s wailing to be heard then, yes, and plenty of it, but in two words Na coyly predicts his audience’s response to the movie’s grim tableaus of a county in spiritual strife. Na trades in doubt and especially despair further than in what we think of as “ horror. ” He is n’t out to scarify us. He’s out to corrode our souls, much in the same way that his booster’s faith is corroded after being subject to both godly and freaking tests over the course of the film. The Wailing unfolds in Gokseong County, an agrarian community nestled among South Korea’s southern areas. It’s a lovely, rural setting that Na and his photographer, the inconceivable Hong Kyung- pyo, take fullest advantage of aesthetically and thematically. The film’s first full sequence shatters the calm as Sergeant Jeon Jong- gu is called to the scene of a savage multiple murder. When Jong- gu shows up, all is circus; people are screaming and crying, emergency workers debris the area like ants at a bloody picnic, and the killer sits in a stupor, ignorant of neither the mayhem nor the vicious boils sheeting their skin. This is an incredibly creepy and often-unsettling film, but Na finds the tug of unbelief far more disturbing than the sight of bodies cut apart and blood splashing the wall. What do you do when your holy authority numbers fail you? What do you do when you ca n’t trust your perception?These ideas, hardly new in the horror canon, purpose of his film are devastatingly bleak. When The Wailing arrives at its final, spectacular partial hour, you ’ll promise noway to ask these questions about your own life, ever. You can not leave the theater spooked, but you will leave it scarred, which more substantial response than naked fear. — Andy Crump
2. It Follows
Year :2015
Director :David Robert Mitchell
Stars Cast :Maika Monroe, Keir Gilchrist, Olivia Luccardi, Lili Sepe, Daniel Zovatto, Jake Weary
The specter of Old Detroit haunts It Follows. In a dilapidating ice cream stand on 12 Mile, in the ’60s- style grange homes of Ferndale or Berkley, in a game of Parcheesi played by pale teenagers with nasally, nothing accentuations if you ’ve noway been, you ’d noway recognize the banal, argentine nostalgia creeping into every corner of David Robert Mitchell’s intimidating film, but it’s there, and it feels like Metro Detroit. It Follows is a film that thrives in the borders, not so important about the horror that leaps out in front of you, but the deeper anxiety that waits at the verge of knowledge — until, one day soon, it’s there, reminding you that your time is limited, and that you’ll noway be safe. Forget the risks of teenage sex, It Follows is a penetrating conceit for growing up.
3. The Babadook
Year :2014
Director :Jennifer Kent
Stars Cast :Essie Davis, Noah Wiseman Classifying Jennifer Kent’s feature debut,
The Babadook, is tricky. presumably this is a horror film — freaky stuff happens on an escalating scale, so qualifying Kent’s tale of a single mama ’s fractious relationship with her youthful son with genre tags seems like a ideally logical move. But The Babadook is so layered, so complex and just so goddamned dramatic that categorizing it outright feels reductive to the point of personality. There is a grand divide between what Kent has done then and what of us consider horror. You will spend your first week after the experience sleeping with the lights on. You will also come down helped and provoked. Australian actress- turned- filmmaker Kent has made a movie about childhood, about majority and about the troubling fears that hound us from one period to the coming. There’s a monster in the closet — and under the bed, and in the armoire, and in the basement but the film’s mortal concerns are emotional in nature. They ’re not aided by the deciduous evil lurking in the dark places of its characters ’ hearts, of course; going through particular trauma is enough of a chore when you ’re not being stalked by the bogeyman.
4. The Fall of the House of Usher
Year :2023
Director :Mike Flanagan
Stars Cast :Bruce Greenwood, Mary McDonnell, Carla Gugino, Kate Siegel, Henry Thomas, Zach Gilford, Carl Lumbly, Mark Hamill
Though The Fall of the House of Usher is primarily predicated in Edgar Allan Poe’s nominal short story of the Usher siblings, Flanagan adroitly mixes in basics from numerous of the author’s other notorious workshop, including “ The Tell- Tale Heart, ” “ The Raven, ” “ The Murders in the Rue Morgue, ” “ The Masque of the Red Death, ” “ The Black Cat, ” and more. Episodes are freely littered with Poe references large and small, from character names to full- on poetry recitations, and the series ’ larger story reflects the author’s lifelong charm with themes of guilt, death, paranoia, obsession, and vision. One part horror- pigmented heredity brummagem and one part ultramodern day morality play, The Fall of the House of Usher is both a darkly uproarious reproof of the uber-rich and emotional car crash that dysfunction at the heart of a family that’s losing its members one by one. — Lacy Baugher Milas
5. Midnight Mass
Year :2021
Director :Mike Flanagan
Stars Cast :Zach Gilford, Kate Siegel, Kristin Lehman, Samantha Sloyan, Henry Thomas, Hamish Linklater
On Midnight Mass ’ Crockett Island, every islander feels replete with mischance. The recent oil slip nearly annihilated the fish supply, folding the islet’s original fishing economy. Their homes chip and peel in neglect to the ocean’s basics. The maturity of residents have fled the islet for lack of chance, leaving a paltry many before. Two ferries can take to the mainland. Hope runs in short supply — and a major storm brews on the horizon. Everything behind that for seven- episode series is a true spoiler, that indeed with its dabblings in the supernatural, Midnight Mass( created by The Haunting’s Mike Flanagan recent collaboration with Netflix), is a show that burrows inwards rather than of outwards. With both the physical claustrophobia of Crockett’s setting and the internal suffering of characters placed in center stage, Midnight Mass concerns itself with horrors within addicting tendencies, secret histories, and questions of pardon and belief. At one glance, it’s a series that’s mined unqualified guilt for gold. In another, it’s a measured, yet yet spooky take on group psychology, the need for faith in grief, and the ethics of leadership with similar vulnerable followers, importing whether these impulses represent mortal goodness, evil, or simply nothing at all. Midnight Mass offers a chance for anyone to be distrusting Thomas or true believer. What is a miracle from a supernatural event, anyway? — Katherine Smith
6. The Autopsy of Jane Doe
Year :2016
Director :André Øvredal
Stars Castb: Emile Hirsch, Brian Cox, Olwen Catherine Kelly
Men do n’t understand women. It’s the oldest cliché in comedy, in psychology, in nearly every book Dave Barry has ever written, in men’s and women’s health magazines likewise. In André Øvredal’s The Autopsy of Jane Doe, the cliché is no less clichéd, but he does appropriate it for use in a important metaphor for manly blindness to womanish traumas The film is about a woman’s unnoticeable suffering, the kind educated beneath her outside and which men can neither see nor comprehend, indeed when they’ve the benefit of being suitable to literally peel back her layers. You can presumably guess from the title exactly what layers are being hulled, which is to say that you ’ll know right off the club whether The Necropsy of Jane Doe is for you or not. What you wo n’t discover without watching the film is the source of Jane’s anguish, however by the time Øvredal is done with us, you may wish you ’d noway looked near enough to learn for yourself. — Andy Crump
7. Train to Busan
Year :2016
Director :Yeon Sang- ho
Stars Cast :Gong Yoo, Ma Dong- seok, Jung Yu- mi, Kim Su- an, Kim Eui- sung, Choi Woo- shik, Ahn So- hee
Love them or hate them, zombies are still a constant of the horror genre, reliable enough to set your captain’s watch by. And although I ’ve presumably seen enough indie zombie films at this point to dodge them from my viewing habits for the rest of my life, there’s still generally at least one great zombie movie every other year. In 2016, that was Train to Busan, a film that has ago been added to our list of the 50 Stylish Zombie film of All Time. There’s no need for enterprise Train to Busan would really have made the list. This South Korean story of a career- father trying to cover his youthful daughter on a train full of rampaging zombies and actually affecting family drama. It concludes with several action basics that I ’ve noway seen ahead, or indeed considered for a zombie film, and any time you can add something truly new to the genre of the walking dead, also you ’re surely doing something right. With a many memorable, compassionate supporting characters and some top- notch makeup FX, you ’ve got one of the stylish zombie film of the once decade. — Jim Vorel
8. His House
Year :2020
Director :Remi Weekes
Stars Cast :Wunmi , Sope Dirisu, Matt Smith
Nothing sucks the energy out of horror than that film . film can scarify audiences in a variety of ways, of course, but the very least a horror movie can be is scary rather of deforming around. Remi Weekes ’ His House does n’t screw around. The film begins with a tragedy, and within 10 seconds of that opening easily out- scores The Grudge by leaving ghosts bestrew on the floor and across the stairs where his protagonists can trip over them. finally, this is a movie about the necessary ingrain grief of indigenous stories, a companion piece to contemporary independent cinema like Jonas Carpignano’s Mediterranea, which captures the troubles facing emigrants on the road and at their destinations with brutal neorealist clarity. Weekes is deeply invested in Bol and Rial as people, in where they come from, what led them to leave, and utmost of all what they did to leave. But Weeks is inversely invested in making his watchers leap out of their skins. — Andy Crump
9. The Haunting of Hill House
Year :2018
Director :Mike Flanagan
Stars Cast :Henry Thomas, Michiel Huisman, Carla Gugino, Elizabeth Reaser, Oliver Jackson- Cohen, Kate Siegel, Victoria Pedretti
The aesthetic of The Haunting of Hill House makes it work not only as horror television, but also as a deft adaption of Shirley Jackson’s classic novel. The monsters, ghosts, and things that go bump on the wall are out- screen, slightly shown, or obscured by shadow. The series indeed goes back to some of the first film adaption’s opinions, in terms of camera movement and shot design, in order to develop uneasiness and inconsistency. The only thing that feels truly inconsistent while watching it’s your mind You ’re constantly cautious of being tricked, but the construction of its scenes frequently gets you anyway. By embracing the squirm — and time necessary to get us to squirm rather than of jump — The Haunting of Hill House is creating disquieting scripts, and indeed better about letting us marinate in them. — Jacob Oller
10. Creep
Year :2014
Director :Patrick Brice
Stars :Mark Duplass, Patrick Brice
Creep is a enough predictable but happily demented little indie horror film, the managerial debut by Brice, who also released this year’s The Overnight. Starring the ever- fat Mark Duplass, it’s a character study of two men — naive videographer and not- so- intimately psychotic recluse, the ultimate of which hires the former to come document his life. It leans on its performances, which are excellent. Duplass, who can be fascinating like Safety Not Guaranteed, shines who forces himself into the booster’s life and haunts his every waking moment. The early moments of back- and- forth between the pair crinkle with a kind of awkward intensity. will no doubt see where it is going, but it is a well- crafted ride that succeeds of chemistry between its two principal leads in a way that reminds me of the scenes between Domhnall and Oscar in Ex Machina. — Jim Vorel
11. X
Year :2022
Director :Ti West
Stars Cast : Mia Goth, Jenna Ortega, Brittany Snow, Owen Campbell, Kid Cudi, Stephen Ure, Martin Henderson
X is a remarkable and unanticipated return to form for director Ti West, a decade removed from an earlier life as an “ up and coming, ” would- be horror director who has primarily worked as a greedy television director for the last 10 years. To return in such a splashy, way, via an A24 reenvisioning of the classic slasher film, intended as the first film of a new triplet or indeed more, is about the most emotional rebirth we ’ve seen in the horror genre in recent memory. X is a scintillating combination of the comfortably familiar and the grossly fantastic , directly recognizable in structure but deeper in theme, humor and satisfaction than nearly all of its peers. How numerous attempts at dinosaur slasher stylings have we seen in the last five years? The answer would be “ innumerous, ” but many scrape the face of the pressure, suspense or indeed pathos that X crams into any one of a dozen or further scenes. It’s a film that suddenly makes us worry alongside its characters, exposes us( graphically) to their vulnerabilities, and indeed establishes deeply sympathetic “ villains, ” for reasons that steadily become clear as we realize this is just the first chapter of a broader story of horror films offering a wry commentary on how society is shaped by cinema. Featuring absorbing cinematography, excellent sound design and characters deeper than the broad archetypes they originally register as to an toughened horror audience, X offers a ultramodern meditation on the bloody wantonness of Mario Bava or Lucio Fulci, making old successes feel fresh, timely and gross formerly again. In 2022, this film is quite a gift to the concept of cinema. — Jim Vorel
12. Creep 2
Year :2017
Director :Patrick Brice
Stars Cast :Mark, Desiree Akhavan, Karan Soni
Creep was not a movie begging for a sequel. About one of cinema’s more unique periodical killers — a man who putatively needs to form close particular bonds with his chase before dispatching them as testaments to his “ art ” — the 2014 original was self- sufficient enough. But Creep 2 is that rare follow- up wherein the dream seems to be not “ let’s do it again, ” but “ let’s go deeper ” — and by deeper, we mean important deeper, as this film plumbs the psyche of the central psycho( who now goes in) Aaron( Mark Duplass) in ways both wholly unanticipated and surprisingly sincere, as we confirmation( and ever sympathize with) a killer who has lost his passion for murder, and therefore his zest for life. In verity, the film nearly forgoes the idea of being a “ horror movie, ” remaining one only because we know of the atrocities Aaron has committed in the history, meanwhile getting much further of an interpersonal drama about two people exploring the boundaries of trust and vulnerability. Desiree Akhavan is stunning as Sara, the film’s only other top lead, creating a character who’s suitable to connect in a humanistic way with Aaron unlike anything a fan of the first film might think possible. Two performers discover it all, both literally and figuratively Creep 2 is one of the most surprising, emotionally reverberative horror films in recent memory. — Jim Vorel
13. Gerald’s Game
Year :2017
Director :Mike Flanagan
Stars Cast: Carla Gugino, Bruce Greenwood
Director Mike Flanagan’s Gerald’s Game trims fat, condenses and slims, stripping down some of the odder tricks of Stephen King’s novel to get at the heart of themes under. The result is a tense, effective suspenser that goes out of its way to highlight two strong actors( Bruce Greenwood and Carla Gugino) in an unfettered fest of their craft. This is nothing new for Flanagan, whose recent labor in the horror genre has been estimable. It’s hard to overlook some of the recurring themes in his work, beginning with 2011’s Absentia and all the way through the hectically imaginative Oculus, Hush and Ouija Origin of Evil. Every one of these films centers around a strong-conscious womanish lead, as does Gerald’s Game. Is this coincidence? Or is the director drawn to stories that reflect the struggle of women to claim independence in their lives by shedding old scars or ghosts, be they nonfictional or tropological?
Either way, it made Flanagan an egregious fit for Gerald’s Game, an unpretentious, overachieving little thriller that’s blessed by two performers able of handling the captain’s share of the dramatic challenges it presents. — Jim Vorel 24. nasty Year 2021 Director James Wan Stars Annabelle Wallis, Maddie Hasson, George Young, Michole Briana White There’s no denying that author/ director James Wan’s first feature, 2003’s Saw, was a horror miracle. The movie was so popular it spawned nine- plus nasty sequel installments and went on to come one of the most well- known entries in the genre. also he did it again with the Insidious franchise – and again with the Conjuring world. What I ’m saying is, the man knows horror. So it came as no surprise to me that by the time the credits rolled on his new terror trip nasty, I was smiling and seesawing my head Joker- style.
The film ends like the horror version of “ I ’ll Be Home for Christmas ” It has been few years since Wan wrote, and produced a genre piece and it’s hard not to love having him back under the morbid mistletoe – indeed if the material is a little wackier and weirder than ahead. nasty tells the story of Madison, a pregnant woman rattled a particular bout of abuse from her hubby. The incident sets in motion a series of events which begins with harmonious yet unexplained bleeding from the head and culminates in paralyzing visions of murder that are, stunner, actually real. This is a film you do n’t spoil – once the pieces of the puzzle start coming together, you ’ll find it was worth staying in the dark – so I wo n’t. Actually, the film has a bit of a slow beginning. In the first half, I was wondering if I was going to end up hating it on pace alone. But around the 40- second mark, I set up myself subconsciously settling into the plotline of a film I was happy to write off in the morning. The first chunk comes off a bit muddled . That did sour me, I ’ll admit, but like any good game, it paid tips after the wait. Things became clearer, loose ends tied up – and the whole thing goes zero to 60 incredibly snappily. As proven time and time again within the Saw franchise, Wan is each about a balls- to- the- wall twist and nasty throws one at us intended to splash us in the face. There’s a lot of homage in nasty – was it just me or was there a hard electro remix of “ Where Is My Mind ” by the Pixies playing over nearly every kill? – but substantially, the film ends up being a author/ director’s love letter to his history. At this point, he deserves to pat himself on the reverse, and I ’m happy that the result is a return to form. To know Wan is to( basically) love him, and Malignant is no exception as long as you ’re willing to stick it out. – Lex Briscuso
14. Verónica
Year :2017
Director :Paco Plaza
Stars Cast :Sandra Escacena Paco Plaza,
The Spanish director of landmark 2007 establish footage horror filmR.E.C., has largely delivered lowering returns viaR.E.C. conclusions. Verónica, thus, has been received as a welcome adventure into a new conception for the director, indeed if the results are substantially on the secondary side. A spirit/ satanic possession movie in the style of Witchboard, the film follows a 15- year-old Spanish student( Sandra Escacena) who unwittingly invites evil into her home while conducting a ouija seance with her academy friends. Where the movie shines stylish is largely on the presentation side It looks great whenever its images are n’t too dark, capturing an intriguing moment in history by setting the film in 1991 Spain. attractive performances from multiple child actors serve to bolster a story that unfortunately feels frustratingly familiar, recovering basics of Ouija, The Last Exorcism and nearly every possession film ever written. This is very well- trodden ground, but Verónica is at the very least further than competent, indeed if it’s not the exposure for which we were hoping from the director. — Jim Vorel
15. Bodies Bodies Bodies
Year : 2022
When March 20 Where to stream it Netflix( US), Sky Cinema( UK), Binge( AU) Following on from the likes of Ready. The story follows a group of entitled twentysomethings who gather at a isolated castle for sybaritic hobbies for a’ hurricane party’ wherein they hunker down for several days. There is nothing like being trapped to make you estimate your friendships, which is what happens to this gang of affirmed friends. A game of murder in the dark sends things twisting when an factual death occurs. Bodies Bodies Bodies plays like a Gen Z version of Clue with first- world complaints mined for laughs, and farther evidence that Rachel Sennott’s comedy timing is exceptional.
16.Under the Shadow’
Year : 2016
Starring Narges Rashidi, Avin Manshadi, Bobby Naderi Director Babak Anvari ” Under the Shadow” has one of those premises that feels so ripe for horror movie fodder, I am surprised I have not seen it done more. During the Iran- Iraq war of the 1980s, Shideh( Narges Rashidi) must care for her daughter, Dorsa( Avin Manshadi), each alone. As the war escalates, a missile slices through their apartment building but fails to crump. Though her neighbors evacuate, Shideh chooses to remain, and that is when effects take an unsettling turn. Dorsa begins acting outsider and outsider until Shideh questions her own grasp on reality. She sluggishly grows to suspect that her daughter may be suffering from something more minatory than wartime shock. – AS
FQ :
- What are some of the top-rated horror films currently available on Netflix?
- Can you recommend some lesser-known but quality horror films on Netflix?
- Are there any classic horror films available to stream on Netflix?
- Which horror films on Netflix have received critical acclaim?
- Are there any horror films on Netflix suitable for viewers who prefer psychological scares over gore?
- Can you suggest some international horror films available on Netflix that are worth watching?
- What are the criteria for defining a horror film as “good” on Netflix?
- Are there any horror film series or franchises available for binge-watching on Netflix?
- Are there any hidden gems in the horror genre that often go unnoticed on Netflix?
- How frequently does Netflix update its selection of horror films, and how can viewers stay updated on new releases in the genre?
